On Sunday 03rd of August at 2pm, our next speaker Rosie Emerson, will be attempting to create the world’s largest cyanotype for Hackney Wicked at The Cygnet Bar, 60 Dace Rd, Fish Island, London E3 2NQ!
On Wednesday 4th December at 6.30pm, London Alternative Photography Collective will be meeting at The Double Negative Darkroom at 178A Glyn Road in Hackney.
We will be providing refreshments, and an opportunity to chat about alternative photography processes.
There will be talks from;
Originally from Melbourne, Australia Sarah is a photomedia artist concentrating in alternate and antique process, ‘plastic’ photography, and image re-appropriation. Sarah is also a curator with a specialisation in film, animation, and the moving image.
Sarah also has a background in Art History and critical theory, with interests concerning aesthetic theory in relation to the role and function of ugliness in art, and representations of the Renaissance body.
Owner and Curator at Doomed Gallery Dalston, a gallery which is committed to creating a platform for photographers, working in experimental ways.
LAPC Founder Melanie is also curating GLITCH at Doomed, a show which celebrates analogue in a world of nanoscale technology.
George makes crazy hybrid analogue cameras which give unique, experimental effects to 35mm film.
About London Alternative Photography Collective
The London Alternative Photography Collective aims to bring together artists and photographers around London who wish to share alternative photography ideas and processes.
The group will meet at the Double Negative Darkroom at 178A Glyn Road in Hackney, E5 0JE.
We provide artists talks, discussions about Alternative Photography Processes, demonstrations and opportunities to collaborate.
Anyone interested in Alternative Photography is welcome to join.
About Double Negative Darkroom
Double Negative Darkroom Is a budding, London independent photographic community and lab. Fast becoming a European centre for Alternative photographic process and Silver gelatin teaching and learning.